Christopher K. Ho: Aloha to the World at the Don Ho Terrace

What happens when an artist disengages, psychically if not ideologically, from the margins? Can those in the mainstream responsibly acknowledge and harness their status toward progressive art in the US and elsewhere? These pressing questions inform the narrative structure of the installation Aloha to the World at the Don Ho Terrace, an imagined meandering to and from Hong Kong (and possibly back in time) from where Christopher K. Ho emigrated at age four. 

Credit: Exhibition overview from museum website.