New York City, NY
British photographer Edmund Clark has spent ten years exploring structures of power and control in the so-called Global War on Terror. Edmund Clark: The Day the Music Died presents photographic, video, and installation work focusing on the measures deemed necessary to protect citizens from the threat of international terrorism. It also explores the far-reaching effects of such methods of control on issues of security, secrecy, legality, and ethics.
Credit: Exhibition overview from museum website.