Mingei International Museum of Folk Art
San Diego, CA
This exhibition features approximately 40 kantha from Mingei’s permanent collection. Kantha is a term used across the Indian sub-continent to denote decorative stitched quilting.
In Gujarat, hangings patterned with concentric circles or squares in running stitch are known as kanthas, while in Bengal, kanthas are stitched for a variety of purposes, such as winter quilts, covers and wraps for books and valuables or as mats for ceremonial purposes. They are most often given to daughters on the occasion of their marriage, as a token of love, or as a gift for a new-born child or grown son.
They are often, as tradition has it, made up of old cast off saris or dhotis. They can be the work of two or more generations of women and are treasured as family heirlooms.
Credit: Exhibition overview from museum website.
Whether you go or not, Kantha captures and showcases the kantha tradition at a precarious time of change and struggle, reproducing bed covers, wrapping cloths for books and other valuables, floor covers and mats for ceremonial purposes from the late 19th to early 20th centuries. The part of Bengal where the Ganges River flows into the Bay of Bengal has historically been the source of the finest cotton ever produced. The kind of embroidery known as kantha is created from this material, for daily use in many different contexts and in many different sizes. It deploys a simple running stitch in quilting layers of used cloth; details are embroidered using satin and stem stitches with thread taken from the colored borders of cast-off saris and dhotis. The workmanship varies from the crude to the complex and refined, but they are all made for daily use for various household purposes. The tribal culture of this region and its sense of continuity were evident until the early part of the 20th century, but the true unraveling of the kantha tradition came with partition, followed by the devastation brought on by the mass exodus of Hindu and Muslim populations in Pakistan, East Pakistan and India. Now, the rising waters are resulting in the disappearance of villages, along with the livelihoods of the inhabitants.
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Mingei International Museum of Folk Art
San Diego, CA