The MCA’s beloved sculpture Felix (2001) by Maurizio Cattelan (Italian, b. 1960) is on view for the first time since 2006 as part of the museum’s 50th anniversary celebration. Purposely designed to fit in the MCA’s Kovler Atrium, this work plays with the popularity of prehistoric dinosaur skeletons like the Field Museum’s legendary female T-Rex named Sue. In typical Cattelan fashion, the skeleton depicts a gigantic, fictional cat rather than an actual fossilized species. Measuring more than twenty-six feet tall at the tip of its outstretched tail, the commanding sculpture has been meticulously fabricated to mimic the look and feel of bones.
Cattelan is known for an artistic sensibility at once shocking, controversial, and humorous, as seen in works such as the solid gold toilet that was recently installed in the Guggenheim Museum in New York, a sculpture of Pope John Paul II being struck by a meteor, or a pint-sized Adolf Hitler kneeling in a prayer of forgiveness. At the core of his work, however, is an urge to snap viewers to attention to question their preconceptions and think critically about the world around them.
Felix will be joined by other icons of the MCA’s collection, including Jeff Koons’s Rabbit (1986), Rene Magritte’s Wonders of Nature (1953), and Francis Bacon’s Study for a Portrait (1949), in a series of 50th anniversary exhibitions.
Credit: Exhibition overview from museum website
Whether or not you go, Maurizio Cattelan: All is an updated edition of the definitive monograph on a provocateur, prankster and tragic poet of our times.
Maurizio Cattelan (born 1960) has created some of the most unforgettable images in contemporary art--most notoriously “The Ninth Hour” (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from popular culture, history and organized religion, Cattelan’s subjects range widely, and his work, while bold and irreverent, is deadly serious in its scathing cultural critiques.
The revised edition describes the artist’s return to art making after a five-year “retirement”. Since its original publication, All has become the Cattelan bible, and this revised edition exploring the latest chapter of the artist’s influential career ensures it will remain the definitive source on his work for years to come.