Chapel Hill, NC
For Extended Remix, six contemporary artists working across a variety of media have been commissioned to “complete” original eighteenth- and nineteenth-century Japanese prints, with each encounter producing thought-provoking, visually engaging artwork.
In the eighteenth and nineteenth centuries, many Japanese woodblock prints were designed as multi-panel compositions, comprising two, three, five, or sometimes up to seven sheets of paper. Often, this was intentional: enterprising publishers would order their artists to make designs that could be sold as either an entire set or as single sheets in an effort to broaden their pool of potential customers. This was especially common in theatre circles; audience members could purchase a collection of prints depicting the entire cast of a kabuki play or a single print of their favorite actor.
In other cases, multi-panel compositions were not designed to be separated—though they often were. Not regarded as precious art objects by the general Japanese public, prints were sometimes used as packing materials for the export of porcelains and lacquers to the West, where they found a new and enthusiastic audience. As a result, some of these print compositions have entered museum collections with one or more panels missing. Extended Remix presents the results of an experiment in filling these gaps with twenty-first century aesthetic responses.
The contemporary artists participating in Extended Remix include British master woodblock printmaker Paul Binnie, Japanese painter Akira Yamaguchi, international art collective Studio Swine (made up of Japanese architect Azusa Murakami and British artist Alexander Groves), American designer and performer Ely Kim, and New York-based experimental photographer Gregory Vershbow.
Credit: Exhibition overview from museum website.