Gwenneth Boelens is concerned with processes of perception, memory, and time; throughout her work she aims to fix the traces of physical movement in space. Originally trained in photography, in her earlier work she used the antiquated wet plate collodion process, during which chemicals are distributed onto large glass plates and exposed to light. The resulting glass pieces capture the traces of her handling the plates during the process, and are displayed as sculptural installations in the space. More recently, Boelens has made a series of large-scale photograms, using various objects or textiles that are folded repeatedly over the duration of the exposure and create radiant fields of color. The show at the List, Boelens’s first solo museum exhibition, will present a group of new photographic works and woven, sculptural pieces.
Gwenneth Boelens (b. 1980 in Soest, NL) lives and works in Amsterdam. Boelens’s work has been exhibited at Kunst-Werke, Berlin; Ludwig Forum, Aachen, Germany; Museum Boijmans Van Beuningen, Rotterdam; ACCA, Melbourne, and others. She attended the Koninklijke Academie voor Beeldende Kunsten, Den Haag, The Netherlands, and the Rijksakademie in Amsterdam.
Credit: Exhibition overview from museum website