Matisse: The Sinuous Line

The second iteration of the inaugural exhibition in the new Ruth R. Marder Center for Matisse Studies continues the exploration of Henri Matisse’s graceful use of line with a new selection of works on paper from the BMA’s collection.

Although best known as a painter, Matisse was engaged as a draftsman, sculptor, and printmaker, relying heavily on line to create contours and shapes.​

This exhibition was inspired by the BMA’s The Serpentine bronze of 1909, which is a masterpiece of line and movement. It will also feature several of Matisse’s explorations of the reclining figure in bronze, which show the artist moving from a classical style toward a more streamlined treatment of the body. The same theme can be seen in several of the works on paper included. Two pen and ink drawings and a linocut will be featured alongside innovative etchings and lithographs, all produced with the artist’s graceful curving line, a seemingly effortless mark, yet the result of much work. 

Matisse’s ability to convey his models’ personality with just a few lines in some instances, or with many more in his more fully fleshed out compositions, is part of his great contribution as a draftsman and printmaker.

Credit: Overview from museum website