Chicago, IL
Rembrandt complicated the genre, constructing identities through props, lighting, and ambiguous settings—leaving us to ask, “What is a portrait?” This spring, two portraits by Rembrandt van Rijn are visiting the Art Institute from the Norton Simon Museum in Pasadena, California. The paintings, Portrait of a Boy and Self-Portrait, join the Art Institute’s own Old Man with a Gold Chain and Young Woman at an Open Half-Door for a look at Rembrandt’s approach to portraiture—one that is decidedly more complex than it may first appear.
Taken together these four paintings show Rembrandt’s brilliant skill as a painter, especially as a painter of people, as well as his deep knowledge of historical subjects and art history. His use of artifice and costumes not only celebrates a historical genre but also anticipates a future in which identity is something created by the artist, and humanity is expressed by everyday people.
Credit: Exhibition overview from museum website
Chicago, IL