Summer with the Averys (Milton, Sally, March)

Featuring landscapes, seascapes, beach scenes, and figural compositions—as well as rarely seen travel sketchbooks­—Summer with the Averys (Milton, Sally, March) takes an innovative approach to the superb work produced by the Avery family. Along with canonical paintings by Milton Avery, the show offers a unique opportunity to become acquainted with the remarkable art created by Avery’s wife Sally and their daughter March.

In the summer of 1924, while painting in the fishing port and artist’s colony of Gloucester, Massachusetts, Avery met young artist Sally Michel, whom he would marry less than two years later. They would return to Gloucester and elsewhere in New England for summertime visits during the following decade, sometimes with their close friends Adolph Gottlieb, Mark Rothko, and Barnett Newman. 

After March Avery’s birth in 1932, the threesome ventured forth over the years as far south as Mexico (including six weeks at San Miguel de Allende); west to Laguna Beach, California; and north to Canada’s Gaspé Peninsula. In addition to working vacations in Provincetown, Massachusetts, and Woodstock, New York, the Averys were artists-in-residence at the MacDowell Colony in New Hampshire and Yaddo in upstate New York. In the summer of 1952 the Avery family traveled together to Europe for their first and only time (although Sally and March would subsequently work abroad on many occasions).

As it was for many artists before and since, summertime was a moment of heightened creativity for the Averys. Escaping from their hectic lives in New York, the three artists were inspired by these bucolic and sometimes unfamiliar settings. The art they produced—including oil paintings, watercolors, drawings and prints—was filled with the splendor of natural phenomena and the sociability of family, friends, and acquaintances; the work ranges from the representational to the nearly abstract.

Summer with the Averys (Milton, Sally, March) will be an opportunity to discover not only what Rothko referred to in 1965 as Avery’s “repertoire . . . his wife Sally, his daughter, March, the beaches and mountains where they summered,” but to observe the creative interaction of this exceptional family of artists.

Credit: Exhibition overview from museum website.