An Elegy to America in Black and White

A poignant and provocative exhibition of non-subjective works of art with accompanying poetic writings that detail the reason for the pain and suffering of Black folk brought by ship and sold into bondage, as it relates to Biblical prophecy, against the backdrop of American history, as exacted by the American spirit.

Earth, tarpaper, rope, and paint are the foundation materials artist, Madai Taylor, uses to create his multi-layered works of art. Although Madai’s work exists within the vocabulary of painting, this new body of work has a more sculptural sensibility. The use of materials, found objects, cotton cords and roofing paper create a tension between painting and sculpture that adds to the narrative, which Madai is communicating.

This body of work is a historical/cultural expression of an America discord that has been happening from the very beginning of this nation. Madai creates a visual narrative that layers Biblical prophecy and American history with very simple earthy materials. This combination creates a commentary that is simple yet very powerful and thought provoking.

The artwork is manifestations of struggle with visions of redemption and hope. Seen through the lens of the spirit, Madai’s work is a narrative of a transformative journey. It serves as a passage through the darkest parts of humanity to the highest levels of hope. His choice of tactile, earthy, and musky materials represent the physical world. The arrangement of these elements alongside his poetic words help attain a greater reality and the work becomes insightful, poetic and robust. It provides a commentary on faith and life.

Credit: Exhibition overview from museum website